DUALITY AND spirituality IN SEX24 spirituality, DUALITY, AND

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partner a cup for every stream and a drink for every thirst - in other words, to give sex-force where the partner's desire is to receive, and to receive sex-force where the partner desires to give. All this can be learned and acquired, just as other controls and other self-directions can be acquired. It is simply tact and adaptation in the realm of sex. The woman who can be sweet, yielding, tender, receptive to the man when he is sexually virile and strong, and motherly, helpful, executive, when he is dispirited and weak, has vastly more sexual charm than one who can only be timid and passive, or who is always assertive and manlike. And the more easily and skillfully these changes can be made in the same embrace, to meet differing moods, exercise different desires, and to prevent monotony, the longer the embrace can continue, the greater its benefits and joy. Karezza is exactly like music - it may be only a rude monotonous rhythm, or mere chant or refrain, or it can attain any perfection of harmonic or symphonic complexity and execution. The character and individuality of the players, their natural genius or "ear" for the changes, and their acquired experience and skill being the determining factors, together with the quality and "tune" of the instruments themselves. Genius in sexual expression is just as normal and certain of occurrence as any other, and some day artists in love will be known and recognized as such - nay, even today, under all our incubus of repression and Grundyism, they are known and admired.
And it will be recognized that the sexual organism, strung with its vibrating and, delicate nerves, is an instrument more perfect than any violin or harp, capable of as exquisite harmonies under the touch of a master. Yet, even as the perfect music is not that which the mere perfection of technique produces, but that into which the true artist breathes his passion and his life, so it is with sex. It is not simply the man of training, the one who knows how, but the man who loves his instrument, and throws the passion and enthusiasm of his soul into the expression, who elicits the divine melody.