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18

Understand me - a man may succeed beautifully in Karezza who has done nothing of all this, nor even heard of it, because of natural magnetism and intuition of what to do, but even he would do better to consciously understand his powers and deliberately will to direct their use.
The fact that magnetic touch has been found a successful method of invigorating the weak and curing the sick, is one proof that should never be overlooked that Karezza, practiced normally, with a wise avoidance of excess, is not only not injurious, as so often claimed, but is really conducive to health. I have been told that Harry Gaze, the Western lecturer, advocates Karezza as a means of maintaining eternal youth, and personally I am convinced that nothing else known is so efficient in preserving youth, hope, beauty, romance and the joy of life.
A man should learn, therefore, to touch the woman he loves in such a way that he transmits to her a vivid electric current that thrills her with delightful feeling, while it relieves his nervous tension of accumulated surplus force. At the same time, if the parties are well-mated, she will be generating and returning, in some roundabout way, something to him, which equally satisfies him, prevents all sense of loss, and makes him equally thrilled and happy. There is a circuit and exchange which finally perfectly balances and leaves each content.
The man who would be an artist in touch must learn to put this vital elixir into his fingertips, his palms, into the glance of his eyes, suggest it in the tones of his voice, convey it at will from any part of his body which may touch the body of another - yes, even to convey it by mere aura, invisibly, secretly, to another body, near, but not in contact. He must learn to touch with firm and thrilling strength, or with tender gentleness and restfulness. He must learn to stroke and caress with an exquisite delicacy, tactfulness and grace, suggesting music. In the actual embrace he must learn to alternate violent speed and force (yet controlled and never really rude or inconsiderate), in his movements, with touches delicate and soothing, in a contrast of symphonic "storm and peace," which may sink to absolute quietude of strong, tender enfolding.
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